Marissa (Milly Vitale) is just the latest in a long line of innocent girls ensnared by vice racketeer Tony Giani (John Derek) and his brother Angelo (Martin Benson). Marissa has only been in London a few days when she is offered a job as a hostess in a club. One of the patrons starts to get a bit too sleazy with her and she is rescued just in time by a handsome white knight. He will take her away from such sordid surroundings. He offers her fun and romance. He’s a terribly nice guy and of course Marissa falls for him. There’s only one slight problem. They can’t get married until his divorce comes through.
Yes, it’s the oldest line in the book and Marissa falls for it. In fact her handsome and sensitive white knight is Tony Giani and he’s a pimp. He’s persuaded her to take the bait and now he’s reeling her in.
There’s little the police can do, since it’s impossible to make any charges stick as long as the girls are unwilling to talk. It’s slightly unusual for a 1950s British crime movie to portray the police as completely impotent and not overly interested.
Tony Giani believes in taking his time before putting a girl to work. He spends weeks grooming them, sweet-talking them and making sure the fall in love with him, and then he uses some ingenious emotional manipulation to persuade them that they’re actually doing it for love. The idea is to get them to be entirely willing recruits to prostitution.
In other words it’s a bit like so many of those awful American social problem movies of the same era, presenting a simplistic good vs evil view and emotionally manipulating the viewer into accepting that simplistic view.
John Derek as Tony is the movie’s saving grace. He really is incredibly charming and incredibly sinister and slimy all at the same time. It’s a thoroughly enjoyable performance and although he’s the chief villain he’s a lot of fun.
The other characters are all clichés. There’s Freda Jackson as Trixie, the whore with a heart of gold. There’s Angelo, a generic gangster figure. There’s Shirley Ann Field as Susan, another of the girls who is almost as unbelievably dumb as Marissa.
This is a message movie and that’s always a red flag. It’s trying so hard to be hard-hitting and sensitive and non-sensationalistic. Actually if they’d made it as an out-and-out exploitation movie it would probably have had more impact.
Although there’s no nudity or actual sex scenes the fact that it’s absolutely up-front about the fact that Giani’s girls are prostitutes gave it considerable shock value at the time and it was a major hit.
The Flesh is Weak has been released on an all-region DVD by Odeon Entertainment in the UK. It’s a pretty good transfer.
I was decidedly underwhelmed by The Flesh is Weak. I can’t really recommend this one.